In less than a week I
have a 3,000 word essay to hand in. Two days before that, I have to
give a 10-minute presentation on five readings for a seminar on
Foreign Aid. So it makes perfect sense that I am sitting here in the
library – down in the dungeons where talking is prohibited –
updating my blog, staring out of the window at a column of golden
trees and an overcast sky and flipping through the pages of Cosmo on
Campus (I kid you not).
I sat in this same seat
yesterday until 8pm, next to the same woman whose name I still do not
know, as all we do is smile our greetings. At least yesterday, I got
the last reading done for the Foreign Aid seminar: Judith Tendler's
1975 book, Inside Foreign Aid, a look at the organisational
environment of USAID, the US government's development arm, and how
the very nature of it being a government agency compromised its
development mission.
Quite revolutionary for
its time – written just a decade after AID was set up
(incidentally, the gov't expected it to close within a decade or two)
-- although now there are a raft of articles and a whole shelf of
books on what's wrong with foreign aid and aid agencies. One of my
other readings, by a UK-based governance research group looks at the
strategies African countries adopt in negotiating with donors, what
factors lead to strong or weak negotiating positions and how a weak
position can often push a country to accept projects/programmes that
do not fit within its national strategy and ignore some of the key
issues that need addressing in favour of donor “pet projects”.
Its readings like
these, and indeed, in researching this essay (yes, I have done some
work!), that I question what role or even why I want to be involved
in such a paternalistic industry. But it's not even that, it's that
there isn't an answer on 'how to do development' and so in the
process, we, as the west, are continuously screwing up countries by
trying to squeeze them into a model that worked previously. Like
Tendler says, development approaches have to be innovative, creative,
responsive. Different approaches work in different countries, but
because gov't development agencies such USAID, which must be the
largest (aside from Word Bank and IMF) donor, has to account to
Congress and various oversight committees for its expenditure, often
goes for non-risky programmes that may have been effective elsewhere.
What really has shown
to be effective in bringing greater freedoms and accountability to
people is their own participation and ownership; but how does the US
get its name on that?
Anyway, I think this is
part of the course. They want us to question why we are here; our
'positionality' as they call it.
The essay title, in
case you're interested is: “Development is about making the world a
better place, discuss the disadvantages and advantages of this
definition.'
When I tell my
classmates I am struggling with my essay, they look surprised. “It's
easy for you Cassie, you're a writer.”
True, but that doesn't
mean I don't agonise over every word and sentence, in fact, having
looked at some of their essays, I probably worry about words, rhythm
and structure too much.
My biggest concern, and
which is probably why I am sitting here flicking through the pages of
Cosmo (skimpy shorts over black tights, preferably ripped or torn at
the sides, if you are curious), is that I am a bit at a loss when it
comes to writing like an academic. When we first arrived we were
asked to write an introductory essay on the challenges of studying
development studies. I waffled, threw in some of the names of those
whose books I had flicked through, added a bit historic context, and
mostly talked about my own personal challenges and experiences. I
thought that was what we were here to do.
Oh, how wrong I was.
Seems I was supposed to present a “balanced argument”, not, as my
professor said, with strong statements, and make reference to
specific authors and their books, articles and even page numbers.
PAGE Numbers!!! Who remembers page numbers???
Surprising how people
can assume you are together when deep down you are just held together
with bits of frayed string you found at a bus stop.
Oh well, back to the
essay.